Tag Archives: Andrew Jack

Richard Cunningham – His Star Wars Story

Welcome back readers and you are just in time, because unfortunately we have ourselves an imperial entanglement today. He’s a hard man to find but talking to a someone of Richard Cunningham’s talents is certainly something to look forward to.

Rogue One’s General Ramda is also known for his appearances in the Golden Globe winning Dancing on the Edge as well as Stan Lee’s Lucky Man and Sherlock Holmes: A Game of Shadows among many other roles.

We are here to run through his career to date and his role as a General on the Scarif base where the Empire helpfully gave the Rebellion a fighting chance. We talk about Ben Mendelsohn’s shouting abilities, not being particularly comfortable around Darth Vader, making films during lockdown and Richard gives me challenging words to put into the writing.

This interview is dedicated by Richard to his friend Andrew Jack, a dialect coach who worked with over 200 actors in his career as well as on the Star Wars films. Andrew died from COVID-19 on 31st March 2020 at the age of 76.

Thanks for talking us through your Star Wars story Richard, how have you been keeping busy through lockdown?

Unfortunately, lockdown has paralysed the industry. There have been things coming through, I’ve been doing some Zoom castings which is very strange in your own front room. I’ve been exercising both physically and with glasses of wine though ha-ha!

Taking a look at your career, in the mid 90’s you started in theatre in the fair city of Manchester and then you transitioned into TV and Film is that right?

Quite early on in my career I was in Manchester, but I left drama school in 1990 so strangely this is my thirty years in the business. I started in Colchester and I ended up in a Manchester production called Ravings Dreaming’s directed by Sue Sutton Mayo which was quite an unusual piece with a very close cast.

What drew you into acting?

It’s a very difficult question actually; I was quite a shy child, so I felt nervous to act. A friend of mine called Tim Hincks saw me performing and told me I completely change when I am on stage and that gave me the confidence to move forward. That and playing with Muppets through curtains ha-ha!

What have been your career highlights to date?

Ravings Dreaming’s happened at the right time and I enjoyed that but for my TV career the opportunities didn’t arrive for me quickly. If I was lucky, I would get an audition for television every six months, you try too hard and put too much focus on it so it’s tricky.

There was a casting director called Andy Morgan who put a lot of faith in me and eventually I got cast as a waiter in Law and Order UK and again in the same show as Barry Flowers who was a florist, a clever joke. I had a line in Sherlock and got a few credits on the board before I was approached by Andy Pryor to work on Stephen Poliakoff’s Dancing on the Edge for the BBC which was a big opportunity. I had seven scenes in episode one, I went in not knowing the lines particularly well for the first casting, but it went well and I got a recall. Poliakoff wanted to meet me and he said I was “absolutely striking” for this role and weirdly it became something that put me on the map in television.

As soon as it was released, I was getting calls from Nina Gold who I’ve now done several jobs for. It was fantastic, Chiwetel Ejiofor, John Goodman, Jacqueline Bisset, Anthony Head, Matthew Goode…it’s just a really posh cast.

Another character I play in a film called Breakdown is a psychotic hitman. I got shot three times in that film, eventually I die getting shot through the eye! Then obviously Rogue One came along…

Yes, we probably should discuss Rogue One at some point! You played General Ramda, how did that role come about?

It wasn’t a normal casting; I was sent this information about a ‘Gareth Edwards Project’ and we weren’t supposed to know what it was. My agent kind of had a feeling but we had to go without knowing what we were going for. I went to a studio in Twickenham, they gave me a sample script to go away and learn and then put on tape. Ten days later we got an email we didn’t understand either, it was so secretive, but it was the offer.

I’ve got it here actually…he was described as ‘Scarif Security Officer #1’. When I got onto the set, on my trailer was the name of my character and it said ‘General Ramada’ and I thought that was a bit weird…isn’t that a hotel chain ha-ha! It was actually ‘General Ramda’.

I was suddenly sent the script through this very secretive software and there were quite a lot of lines, I thought it would be another game changer for me. Whoever suspects they are going to be in a Star Wars movie? It doesn’t happen to many people. I thought I was going to be a bigger character, but I was cut out a lot but fortunately I am still in it because I know so many people who were cut completely.

Have you been interested in Star Wars yourself?

I wasn’t a massive fan; it may have been something to do with when I grew up. I grew up in the seventies, so I was into horror and Peter Cushing was a bit of an idol of mine also Christopher Lee both of whom went onto roles in Star Wars. Rogue One as a film, most people say it’s in their top three. It goes back to the original, that’s why they kept it so secret. It was called ‘Los Alamos’ as a code name so that nothing was leaked, it was exciting to be a part of that.

It’s quite an interesting role because you are portrayed as rather relaxed in the role on Scarif, was the role intended to be played in that way?

On set you just play the character but the relationship I had with Ben Mendelsohn’s character (Director Krennic) was one of…well he shouts at me quite a lot ha-ha. Ramda is slightly downtrodden, he’s well to do but not very bright. He rather liked the climate on Scarif and they are quite well protected under that shield! There was a cut hologram scene of me reporting to Krennic, shall I quote these lines?

Yes absolutely!

“Sir, we have a fire fight on landing pad 13-20 and an unauthorized access of the data vault but it’s gone into lockdown, whoever it is in there can’t get out” and then Krennic shouts at me of course…“It is vital that no information leaves that vault, do you understand?” (Richard shouts in his best Krennic voice) “On penalty of death!” and he swipes at me but I’m a hologram, I still react to him, he walks at me and I sort of cower away. So that relationship is there.

Funnily enough my first day on set was with Ben and we were doing the scene with the hologram and getting his eye-line, he goes from that into a scene with Darth Vader. My first day was with Darth Vader (Spencer Wilding in the costume) squeaking around in leathers. He’s a very tall, imposing character and when he appears…I was quaking in my boots. One of the most iconic villains in cinema history and it’s your first day on set. Gareth Edwards admitted he was nervous about it, some actors had tears in their eyes due to the nerves. There was a duty to perform and create something that honours the previous films.

Spencer has a piece on our site actually and talking to him about it was very interesting because it seemed very much like the character plays you rather than you playing a character when you act as someone like Darth Vader. For Ben and yourself that must have been very strange to have him there…

You’ve got this huge, imposing character…the funny thing was he was looking quite nasty, but he took his helmet off and flashed me this big grin ha-ha.

What do you look back on most fondly having been in that role?

Working with Ben Mendelsohn, he is a lovely guy and a very driven actor. There is a lot of me running around after him in all these cut scenes, I was just trying not to trip over his cloak! One of the major things was shooting the hologram scene because I wanted to dedicate all of that to Andrew Jack (pictured below) who was the dialect coach. Andrew sadly died due to the coronavirus, he had been my tutor back at LAMDA in 1987 and we met again on this Star Wars set.

A lot of my lines were about shields, the shield this and the shield that but I have a bit of a twang in my voice so I was saying shiewld and Andrew would say to me Richard you are saying shiewld not shield…I don’t know how you are going to type this up ha-ha (I did my best). Him being there, he was really supportive so I would like to dedicate it to Andrew Jack. He was a lovely guy, a really calming influence.

You have a few more film roles in the works but I notice you have done a lovely film on Zoom called Indefinitely, could you tell us a bit about that?

The blurb is…whether you are in the same group or on the same video call connected with your loved ones, lockdown is far from easy. It’s about this couple called Tilly and Vic who have some news to share with their relatives. It’s quite a small cast; Harriet Thorpe, Martin Trenaman, Daisy Waterstone, Fanta Barrie and myself, produced by Black Box Media in support of CALM (Campaign Against Living Miserably). It’s only 10 minutes and it’s quite funny and raises awareness for CALM. We were all on Zoom in our own homes, we shot it five or six times and it was quite a lot of fun to do.

There’s another short I wanted to mention called Tick Tick Tick, it’s just been selected for the Norwich Film Festival with a cast including Anton Lesser (Game of Thrones) and Anton Saunders, directed by Liam White and Larry Katang, so look out for that too.

Where can we look out for you next?

I have a movie coming out in 2021 called Eight for Silver with Boyd Holbrook and Alistair Petrie who was in Rogue One of course and Kelly Reilly. It’s about a beast that’s killing people and I play a Vicar in that. I only have a couple of bits in it, but one scene is with Alastair. I’m not doing too bad; I am lucky to I have a few things coming up.

We thank Richard for his time and check us out on social media for updates on Richard’s future roles. You can watch Richard in Indefinitely for free by clicking here.

Did you enjoy reading this interview? If more of the Empire is your thing then why not check out the Star Wars story of Darth Vader himself, Spencer Wilding. Read more by clicking here.

Keep checking back for more Star Wars Stories and until the next time, I’ll be there for you…Cassian said I had to.

Dee Tails – His Star Wars Story

Greetings exalted ones, we’ve got something pretty big for you in this Star Wars story. We have here the journey of Dee Tails, a successful 90’s musician who toured with Janet Jackson and has since made the equally successful transition into the movie industry.

Dee was a huge hit with British R&B group MN8, most famous for their debut single “I’ve got a little something for you” but as we will learn he closed that chapter of his life and moved onto acting. Roles in Batman Begins and Captain Phillips led to four Star Wars films which basically puts Dee in the veteran category! Roles include Cratinus in The Force Awakens, K-OHN in Rogue One, Slowen Lo in The Last Jedi and Quay Tolsite in Solo and a whole lot more.

We talk a lot…really a lot…but this story is as explosive as sixty million credits worth of refined coaxium. I’m telling you; it’s going to be great. When have I ever steered you wrong?

Thanks for talking us through your Star Wars story Dee. How have you been keeping busy during this strange time?

I’ve been trying to keep my brain active. Before I was in Force Awakens, I started writing two book’s. I’ve never written a book before but felt I had to just to get it out of my system. I did it and it took three or four months for the first one and about a year for the second. I’ve also been writing a few scripts with friends, sci-fi, fantasy and things like that.

Last year I got into gaming, I did some motion capture as Cayde-6 in Destiny 2. It wasn’t until after doing the game that I realised how big it was! Fans were losing their minds over this character, so I thought if I’ve done it, I better find out what the game is about.

It would be wrong of me to not talk about MN8 as we look back on your career. Sadly, this is not a podcast (one day there will be one) so the dear readers will have to imagine your musical talents but how do you reflect now on that time in your life?

It’s strange, I don’t promote my band at all anymore. It feels like something I did in high school or part of a dream. It wasn’t one of those things that I thought would be forever and I saw it as a steppingstone to acting, as that’s what I’d trained in. I became a dancer, I danced for Gwen Guthrie (Dee sings “Ain’t nothin’ goin’ on but the rent”) and I found out that was a way of getting contracts and you needed those to get an equity card back then.

That just carried on while I was still in college, I then got an audition with MC Hammer and met the New Power Generation (backing band for Prince) but that came to nothing as Prince toured without them the following year and Hammer filed for bankruptcy. I then met a guy in a club (G-Man, lead vocals) who said he’d like me to meet someone who turned out to be KG (MN8 co-founder with G-Man) and it just went from one momentous thing to another.

This was an introduction to how the industry can turn; First Avenue (MN8’s former production company) didn’t want to manage us, they just wanted to focus on Eternal. Long after the fact, we heard Take That had wanted us on their tour throughout Europe and we didn’t know until it was too late. As First Avenue banked on Eternal, they ended up touring with Take That and that didn’t go so well, but out of the blue, Janet Jackson came to town and asked for us specifically…I’ve got goose bumps now. Her band, crew and dancers and everyone looked after us and we had a dream tour with her.

Later it came to our attention that our production company had been going to our label saying we need ten grand for this and twenty grand for that but we didn’t see any of it, which ran us into a huge debt, so we decided to call it a day. K got married to Laura Vasquez (Home and Away) and lives in Australia, T is continuing with his music right now and G moved to New York working with Def Jam.

From looking at your social media it seems music is still a huge part of your life; do you still have a lot of involvement in the music industry?

I knew what was good and bad about the music industry so I only wanted to be there as long as I could eventually step away. I have no interest in going back to music, I consider myself fully retired from that. Once it all ended I finally had that leverage I needed to get myself an acting agent. My current agent has been my biggest supporter who has helped me a lot over the years, bless her.

What made you switch to acting?

I’d always wanted to be in blockbusters as a kid and when you say that to anybody, they ask what your real job is going to be ha-ha! When I was ten, I was in Aladdin, everyone wanted to be the Genie and I was a big fan of comedy, so I put on the campest voice and it was so funny they let me play him. I also realised I had an ability to remember dialogue, I think that’s what made me feel like I knew what I wanted to do with the rest of my life. I went from doing Shakespeare to Panto and my first role was the Genie again, not camp this time!

I then played Tommy the Cat in Dick Whittington for Hiss and Boo, I got to physically emote cartoonishly for the first time which was very rewarding. I couldn’t wash the make-up off in between performances and so I was the last one to leave each day due to that. The guy in charge of the production was Ian Liston. In Empire Strikes Back he is the guy who releases the cable out the back of a snow speeder (Jenson) and before he passed away he gave me a signed picture and wished me all the best in the Star Wars universe when he heard about it. A guy called Brian Herring (one of the four BB-8 puppeteers) was also working on those productions and he put in a good word and that got me in the room.

Before we get to Star Wars, pretty decent first film to get with Batman Begins! What was the scale of that like and did playing a Gotham City police officer prepare you for working on Star Wars?

If you want to put me into a creature costume or make me a droid, I can do that, I have the little body mass to do that, but if you want me to look like an imposing police officer I might struggle there ha-ha…they had to pad me out so much and put a bullet proof vest underneath my jacket to fill me out! I only did two films doing character support and Batman Begins was the first one. It was the first time I had even heard of character support. Character support consisted of actors being mixed into scenes with extras in case the director needed any added dialogue to be delivered within the scene.

Batman Begins brought back something so momentous. I remember walking through the doors of one of the huge airship hangars at Cardington Airfield and the huge Gotham City buildings were inside there. I remember hearing a big boom and turning to see the Batmobile. Dude…I was ready to call it a day there, it was just awesome. In between the takes me and another actor named Andy would just walk around almost like we were on patrol. I also got to see Gary Oldman act, and watching what he was doing before shooting…it was like a free masterclass. I thought if I don’t enjoy this, I don’t know what I would do. I did enjoy it, I loved it.

We better skip onto why we are here…four Star Wars films! That pretty much makes you a veteran…how did you get your first role?

I thought they are going to be seeing hundreds of people, the chances of them looking at me thinking they have something for me was very small, but I then I got a call to go to Pinewood Studios and see Neal Scanlan, where I’m then introduced to Tom Bell, Nathan Plant and Paul Warren who I would end up working with. I thought it was going to be an interview or a casting…I went straight to fittings.

I remember trying to walk past R2-D2, I literally froze. I’m also trying not to look around the room too much, even though I’d just signed an non-disclosure agreement. I grew up watching the behind the scenes stuff so being on that set, I felt like I was somehow in the right place.

Normally, I would ask if you were already a fan, but I think I can say for certain that you are! What’s your best memory from working on those films?

It has to be one for each film. Neal Scanlan said he wanted to find something for me, so they paired me up with Tom Bell (Prashee). We had our own language and Tom’s role was to set me off laughing and giggling about something. We also realised that if we tilted our heads it would change the expression of our characters, Tom was really good at doing that. We also had kneepads that were shoes because they wanted us to look a little weird in stature. In the Force Awakens our impact on set and behind the scenes, is what I remember. JJ was also given one of my heads which is special too!

Rogue One started as me potentially playing K-2SO, I was aware of the scenes and I signed all the contracts but the role was changed to a CGI character with Alan Tudyk doing the voice, I was happy to step back from that as just being a part of the process was incredible. On set the kids that were running about in Jeddha…somehow me and the kids all ended up in the same spot, the kids were loving the droid I was playing (K-OHN) and asking me questions. It was all being shot guerrilla style and we just finished a break so the kids came running over to see again and me being me and the Droid, reacted being very happy to see them and that’s the bit that was filmed for the movie, it was a very sincere moment to end up in the film.

For The Last Jedi it was going to Dubrovnik in Croatia. I played Slowen Lo mainly but when we were shooting the other scenes, I was Brother Letrun Pay and that involved a head I could not see out of. I was also Lexo Sooger in the sauna with Warwick Davis and Kiran Shah, all of that stuff, working in a suit I can’t see out of, it felt like a tiny little family unit with puppeteers and crew all helping each other to bring these creatures to life even though we were abroad.

In Solo I was Quay Tolsite and the suit was heavy, but the costume generally was excellent. I could see, I could breathe, and I got it really early on that Quay’s scene was going to move at a fast pace. I also found out Quay was a Pyke whose species I knew from the Clone Wars animation series and I worked with the late Andrew Jack on creating the language. I enjoyed the movements and gestures but there was this one thing they asked me to do…they said put the key in the door and then the doors close, I am thinking…I know how those doors close, it got to that scene and just as it closes I give a little look as I turned the key, I really enjoyed that moment.

It seems looking at the four roles that you got increasingly more screen time. Going from just being happy to be seen to having all of this screen time…it must have been great to have a bigger role in Solo?

It was great to do something where no one has known what I have done before. In panto it was always “Dee Tails from MN8”. When I was in Star Wars, I didn’t tell anyone about my background, I just wanted to be assessed on my ability.

Quay was given to me late on, I had finished work on Regineer Teed (part of Enfys Nest’s gang) and they told me they were taking me to Spain. Neal said I had someone else to play and had to speak to Andrew Jack to sort out the language. It slowly starts to sink in that I am on Kessel and I am in charge of this base, I almost lost my poo-doo ha-ha. I was being directed by Ron Howard…you couldn’t write this, it’s absolutely beautiful.

And you are an action figure too…

You had to drop that in ha.

You’ve made it in Star Wars if you get an action figure…

Look at it this way, I feel like I have really achieved something. Quay Tolsite is not an easy figure to get and I’m delighted about that, I’m rare ha-ha!

I assume you’ve got one?

I’ve got two! I played with the original toys, I had the sticker books, the cards and basically everything.

I have a golden rule, no opinions about which films are better in my interviews. But…Solo is a great film, a seriously great film, so are we making Solo 2 happen?

I’ll put it to you like this, I hung out with my good buddy Chris Bartlett (Zero in The Mandalorian). For him to go on and become part of this too…I don’t think anyone deserves it more. I said to him one of the best possible untold Star Wars stories is that of Ahsoka Tano, it’s incredible. He said, it is all owned by Disney now so…you never know. To answer your question…Solo, it is all owned by Disney so…you never know ha.

That’s enough to keep me going! What’s next up for you?

I’m still waiting on the next thing. I am doing some self-tapes at the moment, but fingers crossed they are not done with me just yet in the galaxy far far away!

Thanks to Dee for joining us! We’ll be sure to share on Facebook and Twitter any future roles Dee has, hopefully one will be back in the Star Wars universe!

Did you enjoy reading this interview? Why not check out the Star Wars story of Dee’s fellow creature performer, Paul Warren who portrayed Varmik in The Force Awakens by clicking here.

Keep checking back for more Star Wars Stories and until the next time, I’ll be there for you…Cassian said I had to.